I am sending back the key that let me into Bluebeard’s study.
Because he would make love to me
I am sending back the key
In his eye’s darkroom I can see
My X-rayed heart; dissected body
I am sending back the key that let me into Bluebeard’s study.
- Sylvia Plath
Yes, I am sending back the key.
When she was a virgin, the girl’s brothers went away to war. Her father was a cruel man, emotionally cold: needing warmth but untouched by the brightest lights. After he died, there was noone to guide the girl in choosing a mate.
When Bluebeard came a-courting, her older sisters were wary. He was odd-looking (the girl found him interesting); he was eccentric (she found him charming); he was rumoured to have married before and murdered his wives (the girl thought there must be a rational explanation).
So, she married him (and her sisters we relieved it wasn’t their duty to marry this monstor). He took her to his castle, through the fog, across the moat and gave her the keys to every room. She was mistress now. Though he asked her to never, ever, go into his study.
Of course she respected this privacy. What maleficence could possibly go on inside this man’s private space? When he went away on business, and her sisters came to stay they taunted her about her right as mistress to enter each room. What had he to hide?
So she creeps up to the room, peers through the keyhole, breathes in and takes out her key. On openning the room, she sees the glorious horror of Bluebeard’s previous wives; executed, tortured, mutilated and adorning the room. She imagines herself punished with the same fate for her curiosity and mistrust, and is so shocked that she drops the key.
Though it is a small key, simple and brass, she can’t remove the blood staining it. She scrubs it with sand. She buries it to purify it under the moon. She hides it, but the blood soaks through, staining her hands, clothes, and betraying her loss of innocence.
Her betrayal, the knowledge gained, changes her. When Bluebeard returns, she is afraid of him instead of fascinated. She flees as he pursues her up each flight of stairs in the castle, until she locks herself into a room and he pounds on the door with a sword.
Miraculously, her two brothers return from the war and murder Bluebeard and the girl inherits every treasure of the castle.
The secrets of a cold man no longer interest me. The mystique of cruelty and aloofness can’t compare to the pleasure of my own imagination, my own company and my freedom to love. Not to possess sexually, but to love openly, unreservedly without shame or fear of falling, without recourse to safety nets and artificial devices of the heart.
The brothers who rescue me are the males in my head and my heart. When I am a wife, these brothers remain dormant. When I am a daughter to my mother, these brothers are absent. When I am a lover, I forget them. But when I call them by name, they will come because they are my brothers.